Then again, you suspect he's seen a lot of bizarre things in his time since exploding on to the scene as teen vampire Edward Cullen in the mega-hit Twilight franchise. That was six years ago, during which time he's got used to seeing gaggles of screaming girls wherever he goes. Heaven knows what they made of the recent black-and-white Dior Homme commercial he shot - a sizzling, sexy spot scored by Led Zeppelin's Whole Lotta Love. Maybe that's why he has that permanently dazed look.
Today, he's looking relatively unscathed by the fame that follows him like a familiar. It might be close to 6pm, but Pattinson has a brilliant means of affecting that just-got-out-of-bed look. Dressed in beige trousers, a green-and-navy lumberjack check shirt, black Adidas trainers and a black bomber jacket, it's a casual street feel that suggests more Urban Outfitters than Armani Couture. Factor in the stubble, sleepy green eyes and tousled hair and it's like he's splashed on eau de hipster.
With two new films to bang the drum for - The Rover and Maps To The Stars - it's Pattinson's second time in Cannes in two years, following his arrival as a limo-dwelling billionaire in David Cronenberg's Cosmopolis. That was a turning point, he says. "I'd never even been to a festival before. It makes you think differently about things. You realise what you like. Cannes means a lot to me. I'm basically aiming for everything to get into Cannes."
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